Decker's Anti-Gravity Correlatives - 03/23/97
One should understand the complete fallacy regarding the Newtonian concept of gravity being an ATTRACTIVE force. Rather, the majority of evidence points to gravity being a PUSHING force, most clearly seen in the relationships of celestial bodies. The permutations associated with smaller aggregates make it more difficult to perceive the TRUE nature of "gravity". The simplest approach to keep in mind is that the universe is full of pressure zones that flow toward the center of all masses at a velocity proportionate to the mass aggregate size. Such a flow can be thought of as a wind blowing into the planet, with the planet functioning as a screen on which all mass is held by this incoming pressure. We and all other mass aggregations which are associated with a particular celestial body are thus held onto the planet by this wind. Overcoming it is then simply a matter of "coming to speed" with this incoming flow.
Levity Rings 1) Keely - uses two methods
For Thrust (or levitation) An artificial neutral center is created which causes the natural neutral center of the test mass to be drawn towards the artificial center with an attraction proportional to the energy flowing through the artificial neutral center. For Weight Increase or aggregation of additional mass When the artificial neutral center is superposed onto the natural center, the aether flows increase proportionate to the entraining amplitudes flowing through the artificial neutral center thus causing an increase in weight and a gradual INCREASE in the mass density. For Levitation A wire or ring is placed around the object. The ring is fed with a frequency that resonates with the neutral center of the mass. Such a resonance, properly directed can cause what Keely calls "high vortex action" to decrease or increase the aether flow through the mass neutral center. This flow creates the equivalent of a soliton, or a self-contained standing wave with extremely high rotational velocities on the perimeter of the mass. Such a flow directly controls the "weight" of the mass by exceeding the Flotte 'Z' axis or better stated, by creating a higher potential in the mass aggregate than that of the surrounding media for ejection of the mass to one more favorable to its energetic level. Keely also reports a cooling effect of the local air when the anti-grav effect was in operation.
2) Uncle - (my FAVORITE!!)
the old man claimed he had inherited the secret of antigravity from his late uncle. "Weight is no object to me," he said. "I suspend all gravity by placing a small wire around an object. Taken from an 1890 series airship contact case. This particular airship as in numerous other documented cases, FLOATED in the air as a ship FLOATS on water.
a constantan RING, cooled and heated, creates a force like that which suspends the planets in their orbits. The velocity of energy within this ring exceeds that of the planet velocity, thus imparting a tremendous amount of energy within the space of the ring and thus providing "levitation".
"I can place a ring around the Earth at the equator and move it anywhere I so wish." It is CLAIMED that Tesla built a levitating sphere comprised of a ball with a single ring at the equator. When this ring was fed with an alternating current at high potential, one half of the sphere became very hot, the other very cold. The sphere levitated to a height dependent on the energy applied.
a globe, the top half hot, the bottom half cold, will levitate. The globe was composed of an external sphere made of iron, with an internal sphere made of ceramic or other non-conductive, high temperature material. This internal sphere was grooved to make a path for two separate conductive copper tubes, wound in opposite directions, one for the top half, spinning from the "North" pole towards the equator, the other spinning from the "South" pole towards the equator. The copper tube was filled with a "polarized dielectric". When the center sphere was spun with the iron sphere remaining stationary, a "glowing magnetism" was produced that could be tapped to produce free energy and/or levitation.
an 18 ounce box, with a ring of electrical interrupters, when powered will produce a negative "weight" of 3 ounces to cause the box to float in the air. These electrical interrupters when fired at a frequency related or equal to that of the mass aggregate frequency, will produce the rotating sphere of high potential that results in levitation or "weight loss"
Aggregate Resonance Levitation
7) Egyptian Meru
a rectangular stone is covered on 4 sides with wet papyrus. A specially carved wooden rod is struck against the uncovered stone face and removed. While holding the rod, the vibrations will continue to increase, at the greatest amplitude, the rod is re- applied to the exposed stone face. The energy from the rod will suffuse through the stone, alter the neutral center aether flow by stimulated kindling and cause temporary levitation.
the hands are placed lightly over a stone to be levitated. An orally produced musical scale is run through until the hands feel a response stimulus from the stone. Each tone must be sustained to allow the mass to resonate and produce a sufficient reflection to enable detection. Once the mass aggregate resonance is hit upon, that frequency must be SUSTAINED to cause the neutral center to alter the aether flow and thus cause the mass to levitate.
found that rotation of a ring at a velocity greater than that of the Earth at its equator will produce levitation. Although Carr does not explain WHY this is so (I have since found it in Flotte's 'Z' axis), it is again the control of the flow of Aether through the natural neutral center of the mass.
10) Maine Professor - courtesy of Dan Davidson
a mechanical system, possibly using uni-directional thrust to create a levitation effect. This could also be a rotational mass, using the principle of the Carr Velocity.
the Biefeld/Brown effect, IN ITS MOST ADVANCED FORM, using rotation of very high potentials on the skin of the craft to produce the artififical neutral center. Early experiments showed a correlation between high voltage charges and gravity. When these charges were rotated, the craft developed tremendous lift and thrust, as specified below.
the electrical and kinetic energies are resonantly coupled from high speed rotation. This rotation exceeds the Carr Velocity at the Earth's Equator and so interacts with the neutral center of the mass to affect the aether flow and produce levitation.
by rapid rotation of sand, air, water or any other medium in a vortexial pattern, the aether flow through the neutral center of a mass can be enhanced or retarded to produce levitation.
Artificial Neutral Center
14) Wil Wilson
anecdote about a newspaper article with a picture describing a levitation device that was suppressed. A cylindrical container with a series of solenoids mounted on the top of the cylinder. Each solenoid is pointed towards a central focal point. When the solenoids are pulsed at the same frequency, the combined force creates an artificial neutral center which, depending on the amplitude of energy flowing into this artificial neutral center will cause the natural mass neutral center to be attracted to the artificial neutral center. The mass will thus be pulled in which ever direction the artificial neutral center is pointed, regardless of direction.
from a UFO case history, description of two rings. When dual magnetic fields are produced in these rings, the interaction will focus between the rings. This focal point will produce an artificial neutral center towards which the mass will be attracted by virtue of resonant attraction of the natural neutral center.
the late Engineer Leonard Flotte, wrote an excellent book refuting the Einstein principles of Relativity. He uses a helixial system to describe planetary rotation, how such forces could be tapped, the relationship to time, gravity and other correlates. I have spoken to the son, who understands almost nothing of his fathers work beyond saying that yes, his father had refrained from stating certain aspects of his research in the published book. Essentially, all planetary orbits can be mapped onto a cylinder of a fixed length. The orbit, though longer in some cases, shorter in others, simply spirals around the cylinder MORE times dependent on its length. Thus, a reference frame is established known as the 'Z' axis. This 'Z' axis is thus a measure of the rotation VELOCITY of a planetary mass aggregate, otherwise known as its orbit. The orbit of each planet is an indication of the energy level associated with that REGION OF SPACE and clues us into how we can transcend time and gravity by EXCEEDING the 'Z' axis, i.e. accelerating the energy level of a mass to exceed the energy level for our particular location in space. This correlates perfectly with Russell, Pawlicki and Nieper (among others) who state that the closer to the sun or other RADIANT bodies, the greater is the energy density for that region of space. Thus, the farther one moves FROM such a radiant body, the less energetic is the local environment. All this points to equating levitation as spitting a wet watermelon seed, from one pressure zone (energy level) to another, based on the focussed energy level IN a mass neutral center.
Cortez given two sets of artificial wings made from bird feathers. Included were two gongs mounted so as to suspend above the chest. The kings gong was roughly 10" X 1/4" thick solid gold, the queens gong was about 8" X 1/8". When struck with a padded mallet, the frequency from the gong would cancel the gravity of the wearer allowing them to rise into the air and fly like a bird as long as the gong vibrated. The ship manifest showed these objects were loaded onto the ship for Spain but on arrival, the gold gongs had disappeared, but the feather wings and padded mallets remained.
A film was made in the 1920s in Tibet of a monastery being build on the side of a mountain. It showed a wide range of instruments, mostly drums and horns, in a 45 degree pattern focused on a large cut stone. The stone rested over a hemispherical hole. When a cacaphony of sound was produced with the horns and drums, the sonic energy focused through the cavity under the stone and the stone was thrown up the side of the moutain to float down onto the ledge. From there it was dragged to where it was to be used.